Category: Drama
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The Girl’s Guide to Saving the World (Old Fitz) ★★★½
Twenty-something insecurities hit home in Elinor Cook’s funny The Girl’s Guide to Saving the World.
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Danny & the Deep Blue Sea (Old Fitz) ★★★½
Maybe it’s time we started re-examining John Patrick Shanley’s work a little more closely.
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Nowhere (Sydney Festival) ★★★★
Abdalla resists reducing conflict to simple binaries.
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A Chinese Christmas (KXT on Broadway) ★★★
Welcome to Christmas Eve in the Chinese Underworld,
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Dial M For Murder (Ensemble Theatre) ★★★★
Dial M for Murder is excessively fruity, rum-soaked and complex — basically a fancy Christmas pudding on stage. This is a hell of a lot of fun.
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Born on a Thursday (Old Fitz) ★★★½
Born on a Thursday delivers some hard family truths, anchored by a seamlessly powerful performance from Sharon Millerchip.
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Romeo & Juliet (Bell Shakespeare) ★★★½
Romeo and Juliet are back to “love fast and die young” one more time. Those crazy kids and their poisons…
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The Seagull (KXT on Broadway) ★★★★½
This may be the first genuinely good pandemic-adjacent play I’ve seen — and also one of the best adaptations of The Seagull
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Edward Albee’s Who’s Afraid of Virginia Woolf? (Sydney Theatre Co) ★★★★★
It’s back — the most caustic of all domestic comedies.
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Atlantis (KXT on Broadway) ★★★
Almost ten years on from the play’s debut (at the old KXT, as part of the Sydney Fringe 2016), this Atlantis has risen again.