Category: Theatre
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Sibyl (Sydney Opera House) ★★★★
South African, multidisciplinary artist William Kentridge has an eye-opening Australian premiere to close out the Sydney Opera Houses’s 50th birthday celebrations. Sibyl demonstrates Kentridges “Gesamtkunstwerk”, his blend of forms to deliver a message. Encompassing hand-drawn animation, dance, song, shadow-play, physical comedy, sculpture and more, it is revelatory and truly expansive.
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The Dictionary of Lost Words (Sydney Theatre Co) ★★★
Words and language are powerful signifiers of what we consider to be important. While in the internet age words are easy to disseminate (like one guy spouting his opinions about theatre for example), the history of how we organise and communicate information and the decisions made along the way, is a thorny one.
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The Memory of Water (Ensemble) ★★★★
The premise of Shelagh Stephenson’s The Memory of Water sounds like the set up to a farce. After the death of their mother Violet (Nicole Da Silva), three sisters converge on the family home for the funeral. They each deal with their grief in different ways. It’s a comedy that’ll make you cry.
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A Little Night Music (Hayes Theatre) ★★★★
There’s something thrilling about a chamber production of a Sondheim musical. Restricting the space and staging focuses everything on the music and performances. And with a score that can be as tricky as this, the performances need to be sharp.
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Blaque Showgirls (Griffin) ★★★
Blaque Showgirls is both a daft comedy and a commentary on the status of indigenous Australian lives. Terrible and terrific at the same time, it has the energy of a Christmas panto fueled with bags of cocaine – to be honest, I loved and hated it in equal measure.
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Venus & Adonis (Seymour Centre) ★★★1/2
Damien Ryan’s Venus & Adonis feels like a companion piece to Jessica Swale’s Nell Gwynn, both reframe Shakespeare with a female protagonist, lashings for humour and cutting commentary on the battle of the sexes.
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Lady Day at Emerson’s Bar & Grill (Belvoir) ★★★★1/2
Zahra Newman steps into the role that won Audra McDonald her 6th Tony Award and an Emmy nomination. These are big shoes to fill, and she is more than up to the task.
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The Visitors (Sydney Theatre Co.) ★★★★
Six clan leaders, and one younger proxy, gather to observe the boats approaching their land and discuss how best to deal with the situation. Should they present a show of force to scare them away, or treat them like visitors and offer hospitality?

