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Three of them are stone cold hits, and one will sadly sink against all the competition.

The whole purpose of the trip was really to catch up with the big Broadway musicals. Here are the longer running ones.

Let’s start Off-Broadway.

You can’t accuse Madeleine Stedman’s Mercury Poisoning of lacking ambition.

This year I’m reviewing films at the Mardi Gras Film Festival 2024 for The Queer Review, so I’ve created a page to collate all the coverage (including reviews and interviews for films screening at the festival). I’ve sorted the reviews into star order so you can clearly see which films The Queer Review recommends. This…

If I were to sum up The Wind in the Willows at KXT on Broadway in one word it would be ‘charming’. There is a quintessentially British charm to the story of Ratty, Moley, Mr Toad and Badger that taps into an idea of childhood without delving into childishness.

May, the heroine of Oil, is timeless. She is both a storytelling tool, an archetype that spans hundreds of years, and a mother doing her best for her daughter. But ‘doing her best’ doesn’t necessarily mean ‘doing good’. If nothing else, Oil is about the cycles of our lives and the loops humanity finds itself…

I’m reviewing films at the Melbourne Queer Film Festival this year for The Queer Review. I’ve consolidated my reviews (and those by other Queer Review reviewers) here so they sit in the one place. I’ve listed them in star rating order to make things easier for people considering going and added interviews we’ve run with…