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Titanique (The Grand Electric) ★★★★
It’s all seamen and Céline fucking Dion in Sydney at the moment. Full review on The Queer Review.
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Bangers & Mash (Sydney Fringe) ★★★★
What’s long, phallic & salty, yet somehow still a “comfort food”? Bangers & Mash. Be quick, you’ve only got till Saturday to catch it!
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Railed (Sydney Fringe) ★★★½
If sexy muscle unicorns and denim are your fetish, you’re in for an eyeful.
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Golden Blood 黄金血液 (Sydney Theatre Co) ★★★★
This may be Tong’s playwriting debut but Golden Blood is a terrifically sharp 90 minute two-hander.
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All Boys (KXT on Broadway) ★★★★
As a piece of independent theatre, All Boys is instantly impressive. For a budget-tight show full of debuts and recent drama school grads it is extraordinary. This is just great theatre.
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The Queen’s Nanny (Ensemble Theatre) ★★★★
The more I think about The Queen’s Nanny, the more it makes me smile.
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Definitely NOT A Hungry Game: A Parody Musical (Sydney Fringe) ★★★
Dramafreak Productions are deconstructing and generally taking the piss out of the book trilogy that became a film quadrilogy that spawned a prequel but is for legal reasons definitely not Suzanne Collins’ Hunger Games series.
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Hillsong Boy (Sydney Fringe) ★★★½
The impulse to make this show a new form of “ministry” can be hard for a Hillsong survivor to resist.
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UnWrapped: AUTO-TUNE (Sydney Opera House) ★★★★★
Re:group performance collective deliver their most emotionally engaging show to date.
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Sunset Boulevard (Sarah’s Version) (Sydney Opera House) ★★★★
Sunset Boulevard is big, it’s the other musicals that got small.
Cultural Binge - Independent Theatre Reviews 