Cultural Binge – independent theatre reviews from Sydney, Australia (mostly).
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GöteborgsOperans Danskompani (Roslyn Packer) ★★★★
GöteborgsOperans Danskompani are renowned and these two works make it clear why. Both fun and form-breaking, this is exciting contemporary dance to watch.
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Overflow (Darlinghurst Theatre Co) ★★★★★
The bottom line is, yes, Overflow is as good as everyone says it is, go see it!
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Are we not drawn onward to new erA (Roslyn Packer Theatre)★★★
Are we not drawn onward to new erA, the palindromic (or should that be palin-dramatic?) show from Belgian theatre company Ontroerend Goed challenges us to move forward and not lose hope in a world we continue to destroy – we can, and must, clean up our own mess.
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Ode to Joy (How Gordon got to go to the nasty pig party) (Neilson Nutshell) ★★★★
It’s like How Stella Got Her Groove Back but instead of using Taye Diggs, it uses ketamine.
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Tiddas (Belvoir) ★★★
When Anita Heiss’ Tiddas is funny, it’s damn funny, and when it’s didactic, it’s like having wikipedia recited to you. The two tones struggle to co-exist in Heiss’ stage adaptation of her 2014 novel about five friends whose book club becomes a meeting place for ideas, angst and more.
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Masterclass (Sydney Opera House) ★★★★
Feeling the energy in the theatre shift from gleeful laughter to uncomfortable tittering to bewildered joy and finally buzzing chatter is simply delicious. This is a brilliant example of how theatrical forms can be used to enlighten and subvert. Yes, it’s a two hander about sexism in the arts, but that description barely scratches the…



