-
An Evening Without Kate Bush (Wharf 1 Theatre) ★★★1/2
Kate Bush is an icon, a legend, an enigma and she is NOT appearing at the Sydney Festival. But Sarah-Louise Young is!
-
Are we not drawn onward to new erA (Roslyn Packer Theatre)★★★
Are we not drawn onward to new erA, the palindromic (or should that be palin-dramatic?) show from Belgian theatre company Ontroerend Goed challenges us to move forward and not lose hope in a world we continue to destroy – we can, and must, clean up our own mess.
-
Ode to Joy (How Gordon got to go to the nasty pig party) (Neilson Nutshell) ★★★★
It’s like How Stella Got Her Groove Back but instead of using Taye Diggs, it uses ketamine.
-
Tiddas (Belvoir) ★★★
When Anita Heiss’ Tiddas is funny, it’s damn funny, and when it’s didactic, it’s like having wikipedia recited to you. The two tones struggle to co-exist in Heiss’ stage adaptation of her 2014 novel about five friends whose book club becomes a meeting place for ideas, angst and more.
-
Masterclass (Sydney Opera House) ★★★★
Feeling the energy in the theatre shift from gleeful laughter to uncomfortable tittering to bewildered joy and finally buzzing chatter is simply delicious. This is a brilliant example of how theatrical forms can be used to enlighten and subvert. Yes, it’s a two hander about sexism in the arts, but that description barely scratches the…
-
Send For Nellie (Wharf 1 Theatre) ★★1/2
The legacy of performer Nellie Small is given a whistle-stop tour in Send For Nellie, a cabaret/vaudeville performance at Sydney Festival that showcases the vocals of Elenoa Rokobaro as the legendary Sydney entertainer.
-
Smashed: The Nightcap (Wharf Theatre) ★★★★★
My Sydney Festival kicked off with an almighty bang thanks to Victoria Falconer and her chaotic cabaret, Smashed: The Nightcap. Sydney Theatre Co’s wonderfully restored Wharf Theatre is being delightfully debased by this blend of drag, burlesque, circus and cabaret. Grab a drink and jump on this bawdy ride.
-
GATSBY at The Green Light (Sydney Opera House) ★★★★
Jazz age-themed burlesque meets acrobatics, dance and circus tricks in a 75 min blast of sultry excitement. This is GATSBY at The Green Light, taking over the Studio at the Sydney Opera House with an international cast and the sliver of a classic story.
-
The Wind in the Willows (KXT on Broadway) ★★★1/2
If I were to sum up The Wind in the Willows at KXT on Broadway in one word it would be ‘charming’. There is a quintessentially British charm to the story of Ratty, Moley, Mr Toad and Badger that taps into an idea of childhood without delving into childishness.
-
Midnight Murder at Hamlington Hall (Ensemble) ★★★1/2
Midnight Murder at Hamlington Hall isn’t the first play to derive comedy from a night at the theatre going wrong before your eyes, but it may be the first to do so with such a tender heart.
Cultural Binge - Independent Theatre Reviews 