-
Dial M For Murder (Ensemble Theatre) ★★★★
Dial M for Murder is excessively fruity, rum-soaked and complex — basically a fancy Christmas pudding on stage. This is a hell of a lot of fun.
-
Born on a Thursday (Old Fitz) ★★★½
Born on a Thursday delivers some hard family truths, anchored by a seamlessly powerful performance from Sharon Millerchip.
-
Romeo & Juliet (Bell Shakespeare) ★★★½
Romeo and Juliet are back to “love fast and die young” one more time. Those crazy kids and their poisons…
-
Congratulations, Get Rich! 恭喜发财, 人日快乐 (Sydney Theatre Co) ★★★
Some very good elements mixed with some poor elements mean it all evens out in the wash.
-
The Seagull (KXT on Broadway) ★★★★½
This may be the first genuinely good pandemic-adjacent play I’ve seen — and also one of the best adaptations of The Seagull
-
Cowbois (Seymour Centre) ★★★
Cowbois, a queer fantasia on Western themes now playing at Seymour Centre, ricochets between tones at a furious pace.
-
Edward Albee’s Who’s Afraid of Virginia Woolf? (Sydney Theatre Co) ★★★★★
It’s back — the most caustic of all domestic comedies.
-
Atlantis (KXT on Broadway) ★★★
Almost ten years on from the play’s debut (at the old KXT, as part of the Sydney Fringe 2016), this Atlantis has risen again.
-
So Young (Old Fitz) ★★★★
“Remember the time…” – three friends getting together to reminisce becomes a passive-aggressive battle in the darkly funny Scottish domestic comedy So Young.
-
Looking Ahead to (not) Sydney Theatre in 2026: Part Three
If you fancy heading interstate for a show & some touristing, I’ve got some shows you might be interested in checking out.
Cultural Binge - Independent Theatre Reviews 