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  • Welcome to Cultural Binge

    Welcome to Cultural Binge

    The rating system is simple:

    ★★★★★ – Terrific, world-standard. Don’t miss.

    ★★★★ – Great, definitely worth seeing.

    ★★★ – Good. Perfectly entertaining. Recommended. Individual mileage may vary.

    ★★ – Fine. Flawed and not really recommended, but you may find something to appreciate in it.

    ★ – Bad (& possibly offensive).

    See more reviews over at The Queer Review.

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    Email: chad at culturalbinge.com

  • Gundog ★★★

    Gundog ★★★

    Written by Simon Longman. King’s Cross Theatre. 3 – 18 Mar, 2023.

    Simon Longman’s acclaimed play, Gundog, paints a grim picture of rural life in the UK as one family falls apart over time – the victims of circumstance, mental illness and economic desperation. It’s a gruelling story and definitely not for everyone.

    Sisters Becky (LJ Wilson) and Anna (Jane Angharad) have resorted to stealing sheep to replace their own flock. They find a stranger who introduces himself as Guy Tree (Saro Lepejian) who has nowhere to go. They give him room and board in return for his help with the sheep. As the years pass, Guy discovers more of their history and what brought this farming family to the end of their tether.

    On a simple stage, this production directed by Anthony Skuse inventively revels in this darkness. Clever design and lighting mark the passing of years as the narrative jumps backwards and forwards through time. It helps that these characters are almost stuck in a timeless state – their lives on a slow descent they can not avert. Even Becky and Anna’s brother (James Smithers), who left years earlier, comes back in desperation. There is a centre of gravity to their pain that is impossible to break free from.

    As an illustration of rural living, so far so awful. Gundog paints the life of farmers as a noose around their necks. Becky never finished school because it bore no resemblance to her life, and that lack of formal education forces her to stay. These characters have no options left. There is no hope and that’s a suffocating place for an audience to sit in for almost 2 hours (I know it could be worse, we could be watching Ivo Van Hove’s epic adaptation of A Little Life!).

    Despite great performances and strong direction, Gundog failed to connect with me. Misery-porn is my least favourite genre and this play comes very close to falling into that.

  • Comfort, Spin, Travel ★★★★

    Comfort, Spin, Travel ★★★★

    Written by Lu Bradshaw. Meraki Arts Bar. 24 Feb – 11 Mar, 2023.

    Read my review over on The Queer Review.

  • King ★★★★★

    King ★★★★★

    Shaun Parker & Company. Seymour Centre in association with Sydney WorldPride. Feb 28 – Mar 4, 2023.

    Read my full review on The Queer Review.

  • Briefs: Dirty Laundry ★★★1/2

    Briefs: Dirty Laundry ★★★1/2

    Created by Briefs Factory. Seymour Centre in association with Sydney WorldPride. Feb 28 – Mar 4, 2023

    Read my full review on The Queer Review.

  • Feminazi ★★★★★

    Feminazi ★★★★★

    Written by Laneikka Denne. Belvoir St Theatre Downstairs. 25a 22 Feb – 11 Mar, 2023.

    Read my full review on The Queer Review.

  • Sex Magick ★★★★

    Sex Magick ★★★★

    Written by Nicholas Brown. Griffin Theatre Company. 17 Feb – 25 Mar, 2023. Part of Sydney WorldPride.

    Read my review over on The Queer Review.

  • Gentlemen Prefer Blondes ★★★1/2

    Gentlemen Prefer Blondes ★★★1/2

    Music by Jule Styne. Lyrics by Leo Robin. Book by Anita Loos and Joseph Fields. Hayes Theatre. 16 Feb – 18 Mar, 2023

    Read the full review on The Queer Review.

  • Opera Up Late ★★★★

    Opera Up Late ★★★★

    Dame Joan Sutherland Theatre. Sydney Opera House. 18 & 23 Feb, 2023. Part of Sydney WorldPride 2023.

    Read my full review on The Queer Review.

  • The Resistance ★★★★

    The Resistance ★★★★

    Written by Kip Chapman. Australian Premiere. Australian Theatre for Young People. Rebel Wilson Theatre. 16 Feb – 11 Mar, 2023.

    Plays about the climate crisis have tended to be didactic and dull so far. It’s hard to make drama about a slow-moving disaster coming our way. The Resistance at ATYP turns focus onto the youth movement fighting to drive awareness and change the world they have to live in, and manages to create a rambunctious comedy that gets the crowd cheering.

    A motley crew of young activists (and one adult) have arranged a climate rally to coincide with the arrival of a Gerta Thumberg-style superstar, Eva Lawson. Bundilla (Lakesha Grant) wants a revolution, prepared to physically fight for justice if she has to. Miro (Jack Walton) is their uptight tech nerd surrounded by girls. Marlee (Diya Goswami) is sweet, caring and a bit disorganised. And Pepper (Thea Sholl) just wants to blow something up, nothing big of course. But when Eva’s visa is delayed, they need someone to front the group and speak to the press. It falls to the meek Marlee to be the new face of the climate resistance. Can one girl rally a nation to change?  

    The Resistance is an interactive show. The thought of interactive shows generally drives my personal, introverted anxiety sky high, but in one of the production’s best moves they spend a lot of time preparing the audience and making sure everyone is feeling secure and in the mood for a good time. Volunteers are brought on stage to fill the crowd and take on some key roles, to great comedic effect (one volunteer is drafted as a make-up artist). The cast are fantastic at looking after their nervous amateur co-stars while also delivering their own roles. Don’t worry, you’re not going to be dragged out of your seat without your consent! You may be asked to make animal noises though.

    Writer/director Kip Chapman knows how to pitch a show at precisely the right level. This is ATYP after all, and the show has a definite youth focus, without talking down to anyone. Adult audiences, just after a good show, will still get their money’s worth from the experience.

    And this cast is dynamite. I was going to refer to one as a ‘scene-stealer’ before realising I was about to write that for each of them in turn. So it’s less ‘scene-stealing’ and more ‘making the most of the great script’. I was awed by how these young performers not only produced great characters but also created a warm, welcoming vibe for the whole auditorium. They are all lovable. From Pepper’s crazy security squad, to Bundilla’s power jacket and Marlee’s nascent stubborn strength. For a show all about politics, anger and potential global disaster, The Resistance is somehow so damn likeable!

    Walking into the Rebel Theatre I tried to count the number of genuinely great plays I’d ever seen about the climate crisis and I could only think of one (Duncan Macmillan’s Lungs), but now thanks to ATYP I can add The Resistance to that list.

  • CAMP ★★★1/2

    CAMP ★★★1/2

    Written by Elias Jamieson Brown. Siren Theatre Co and Seymour Centre in association with Sydney WorldPride. World Premiere. 15 Feb – 4 Mar, 2023.

    Read my full review on The Queer Review.